Based mainly on the storyboards, we contributed to the definition and design of three key visuals for this project. A major part of our work focused on designing the background environment. For the first packshot, we explored two creative directions: one more abstract, imagining the scene as if it were taking place inside the vase itself, and another more grounded, realistic approach. This second option aimed to create a refined still life composition, featuring a warm, reddish, and elegant home-inspired backdrop.
To ensure an efficient workflow, we chose a 3D approach and created our own scenes and models. This process allowed us to work efficiently while maintaining a high level of creative freedom, making it easy to adjust the composition, lighting, and overall balance throughout the project. Combining this approach with Adobe Photoshop enabled us to explore a wide range of visual settings and creative directions.
First keyart, home-like background
First keyart, abstract background
For the second key visual, we defined the look of the sky and ocean, as well as the appearance of the horses. The goal was to make them feel as though they were formed from Jun Porcelain glaze, with fluid trails streaming off their bodies.
2nd Keyart
3rd Keyart, abstract background
3rd Keyart, artist’s studio background
Final Visual from LA MER & Concept art
This project involved a lot of testing and research, and it was really rewarding to see how these explorations helped shape the final look of the film.